Project outline
Here is the current outline of my dissertation at its present point-in-time. I will post a more detailed version as soon as possible, which will have less shorthand and will be more readable. I will also post samples of the draft itself, after I clean it up a bit more. I've decided on two chapters, the first will be dealing primarily with the topic of the everyday, while the second will be focused on space and spatiality issues.
- Introduction (max. 2 paragraphs)—definition of the everyday, framing, space
- Chapter 1: the everyday
- More about the everyday, discussed through one of the artists (perhaps Arman)
- Brief instance of the history of the everyday throughout art history, with conceptualism
- Arman, Kounellis, Rosler (3 countries? Globalization of conceptualism)
- Rosler = performance, anti-expressionist, feminism, southern California
- Arman = new realism, Yves Klein, Iris Clert, France
- Kounellis = Arte Povera, Italy, representation, natural materials, performance?
- Chapter 2: space and place
- Space and the art gallery—use Inside the White Cube here, demise of the frame
- Deleuze and repetition and difference: the difference in gallery space
- Historical context of 60/70s, counter-culture
- Foucault’s heterotopias, the museum—ex: the Mona Lisa, but it is a real place; the ICA
- The out of place/space (ex: Manet), what is art gallery space, discuss through all artists
- Contemporary = Patterson, Hirst, Kusama, Emin …
- Conclusion (one paragraph)
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